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I was once in a theatre with some visually impaired people and there came a silent portion. What Rummi and Nidhi are working towards next, is trying to have inbuilt audio-description tracks for films’ theatre release unlike a DVD release months after the film is out. I remember while watching PK in the theatre, I wouldn’t get the alien scene at all. “We need to create awareness of our community which enjoys watching films as much as anyone else. “The original DVD of PK now has an audio track. Thankfully for Rummi, the latter’s taken care of. We are trying to convince the makers of Bajrangi Bhaijaan for a few months now, but it is taking some time.Aamir Khan’s PK may have released over a year ago, but there are a few of us who are enjoying the film in its entirety only now — Yogesh Taneja for instance.
“Veteran actor Sushma Seth (the adorable dadi in Dekh Bhai Dekh) has been doing audio description for our films since the time we started. Eventually it'll come through I hope,” says Rummi. Aamir Khan was very forthcoming and made sure all the minute details are taken care of. What it does is fills in the viewer on scenes that are mute, but still very visually appealing. A bank manager in the city, Yogesh sat clueless through some of the films funniest and most crucial bits — like Aamir Khan walking in from an alien planet covering his modesty with a radio — because it was a silent scene with no one prompting him about the developments on screen. It's time they took this set of film enthusiastic audience seriously too!”.”Saksham started with audio enhancing of films with Sanjay Leela Bhansali’s Black in 2005 since her efforts were closer to the subject of the film as well.Nidhi is taking cue from a Delhi-based NGO called Saksham that has been working towards a similar cause for years now.
I think they should make it mandatory for all the filmmakers to have an audio description in their films. Later I saw the audio enhanced version and it all made sense. “There are some silent portions in the film, where there are no dialogues at all. By the time the DVDs are released, we have heard enough about the film and the novelty wears off. Our first audio-description enhanced screening helped us send out a message that filmmakers should think about us as an audience as well. It’s very sad that makers put in so much money into a film and while audio enhancing the film we need to put huge sums of money again, but we still get to see the film much later. Remember the scene from Bhag Milkha Bhaag where Farhan Akhtar is practising with his coach, with tires tied around his feet While the scene may seem visually enchanting, wait until you hear the audio-enhanced version of the scene, says the founder of Saksham, Rummi Seth.
The whole theatre was enjoying the scene, but they had to turn to me and ask what was happening. We need filmmakers to have a default audio-description during the time of theatre release itself. Visually challenged individuals such as him never have a paisa-vasool experience at a movie theatre simply because they miss out on half of the content that isn’t dialogue-driven.The movement so far has gotten support from Aamir Khan who readily agreed to have audio versions of his films Taree Zameen Par, Dhobi Ghat and Peepli Live. But it’s no easy task — it’s expensive and you need a mature voice to do justice to the scene. Wholesale lawn mower cable I realised that audio description of films was easily available abroad, so it was time to bring it to India as well. That’s when the idea was triggered.”Yogesh Taneja who is one of the many rooting for the cause shares,
“With the description, we can watch the films like everyone else and enjoy it with them at the same time, not some months later. They already have over 22 films, documentaries and children’s content in their cache and are trying to rope in other big banners to make entertainment completely inclusive.“What is unique about such screenings is the collective experience for the visually impaired, of watching a film without having to depend on family and friends to understand it,” says Nidhi who organised the screening of Awesome Mausam for over 35 visually challenged people in a suburban theatre in Mumbai.
It costs up to a lakh from scripting to sound engineering and the whole process involves rewriting the script for the silent portions and describing the sequence accurately,” she says.It’s time for the visually impaired to ‘see’ films differently with audio-enhancing devices. And considering the fact that India has one in every three visually impaired people in the world, it’s a problem that ails more than just a few. Changing that, or at least making a very concerted effort towards it is Nidhi Goyal, an activist for the visually impaired who organised a one-of-a-kind screening earlier this month — one which is audio description-enhanced.
“Veteran actor Sushma Seth (the adorable dadi in Dekh Bhai Dekh) has been doing audio description for our films since the time we started. Eventually it'll come through I hope,” says Rummi. Aamir Khan was very forthcoming and made sure all the minute details are taken care of. What it does is fills in the viewer on scenes that are mute, but still very visually appealing. A bank manager in the city, Yogesh sat clueless through some of the films funniest and most crucial bits — like Aamir Khan walking in from an alien planet covering his modesty with a radio — because it was a silent scene with no one prompting him about the developments on screen. It's time they took this set of film enthusiastic audience seriously too!”.”Saksham started with audio enhancing of films with Sanjay Leela Bhansali’s Black in 2005 since her efforts were closer to the subject of the film as well.Nidhi is taking cue from a Delhi-based NGO called Saksham that has been working towards a similar cause for years now.
I think they should make it mandatory for all the filmmakers to have an audio description in their films. Later I saw the audio enhanced version and it all made sense. “There are some silent portions in the film, where there are no dialogues at all. By the time the DVDs are released, we have heard enough about the film and the novelty wears off. Our first audio-description enhanced screening helped us send out a message that filmmakers should think about us as an audience as well. It’s very sad that makers put in so much money into a film and while audio enhancing the film we need to put huge sums of money again, but we still get to see the film much later. Remember the scene from Bhag Milkha Bhaag where Farhan Akhtar is practising with his coach, with tires tied around his feet While the scene may seem visually enchanting, wait until you hear the audio-enhanced version of the scene, says the founder of Saksham, Rummi Seth.
The whole theatre was enjoying the scene, but they had to turn to me and ask what was happening. We need filmmakers to have a default audio-description during the time of theatre release itself. Visually challenged individuals such as him never have a paisa-vasool experience at a movie theatre simply because they miss out on half of the content that isn’t dialogue-driven.The movement so far has gotten support from Aamir Khan who readily agreed to have audio versions of his films Taree Zameen Par, Dhobi Ghat and Peepli Live. But it’s no easy task — it’s expensive and you need a mature voice to do justice to the scene. Wholesale lawn mower cable I realised that audio description of films was easily available abroad, so it was time to bring it to India as well. That’s when the idea was triggered.”Yogesh Taneja who is one of the many rooting for the cause shares,
“With the description, we can watch the films like everyone else and enjoy it with them at the same time, not some months later. They already have over 22 films, documentaries and children’s content in their cache and are trying to rope in other big banners to make entertainment completely inclusive.“What is unique about such screenings is the collective experience for the visually impaired, of watching a film without having to depend on family and friends to understand it,” says Nidhi who organised the screening of Awesome Mausam for over 35 visually challenged people in a suburban theatre in Mumbai.
It costs up to a lakh from scripting to sound engineering and the whole process involves rewriting the script for the silent portions and describing the sequence accurately,” she says.It’s time for the visually impaired to ‘see’ films differently with audio-enhancing devices. And considering the fact that India has one in every three visually impaired people in the world, it’s a problem that ails more than just a few. Changing that, or at least making a very concerted effort towards it is Nidhi Goyal, an activist for the visually impaired who organised a one-of-a-kind screening earlier this month — one which is audio description-enhanced.
Posté le 19/11/2020 à 02:29 par ctolibhlmorya
Catégorie China boundary wire factory
0 commentaire : Ajouter
TV cable hits included “Homeland” and “The Wire” - hour-long dramas with complicated plot lines that needed to be watched sequentially.In November 2010, Hulu, which debuted in 2008 as an ad-supported streaming video site, launched its subscription service, including full seasons of certain shows.“Our viewing data shows that the majority of streamers would actually prefer to have a whole season of a show available to watch at their own pace,” said Netflix Chief Content Officer Ted Sarandos at the time.At the start of the decade, binge-watching involved VHS tapes, DVD box sets or long nights Wholesale throttle cable for lawn mower glued to a DVR.
And as the new decade begins, the trend may start to reverse.In 2011, it struck a deal for its first original show, the political thriller “House of Cards. 1, 2013. Walt Disney Co’s Disney+ is releasing episodes weekly for new series including the Star Wars-related “The Mandalorian.Just like the old days.Watching “Saturday Night Live” on a Sunday became normal, and viewers started to lose track of the broadcast schedule.” It released all 13 episodes of the show’s first season on Feb.To understand how we got here, look at Netflix. That July it followed with the entire first season of “Orange is the New Black.”
Apple released three episodes at the same time for dramas “The Morning Show” and “See” - and is doing so for most other Apple series - followed by one episode per week. “Binge-watch” was a runner-up to “selfie” for the Oxford Dictionary’s 2013 word of the year.Netflix championed this new kind of consumption, commissioning a survey to determine how many people binge-watch, and why.Media companies are hoping a longer release schedule will generate buzz and create more of a shared experience among viewers..While some say the decade technically ends a year from now, the end of this year will be marked by many as the conclusion of the second decade of the 21st century.”
Viewers were hooked, and the cultural shift accelerated.Around the same time that the broadcast TV schedule was losing its hold on viewers, Netflix was beginning to invest in original content.Fast forward to 2019, when media and tech companies are subverting that schedule and the majority of viewers using US TV streaming services watch an average of four hours of content in one sitting, according to Deloitte.ATT’s forthcoming HBO Max streaming service will debut one new episode of its original series per week.In the not-so-distant past, TV viewers were forced to wait a week for the next instalment of their favourited shows, parcelled out by networks in half-hour or hour-long increments.
And as the new decade begins, the trend may start to reverse.In 2011, it struck a deal for its first original show, the political thriller “House of Cards. 1, 2013. Walt Disney Co’s Disney+ is releasing episodes weekly for new series including the Star Wars-related “The Mandalorian.Just like the old days.Watching “Saturday Night Live” on a Sunday became normal, and viewers started to lose track of the broadcast schedule.” It released all 13 episodes of the show’s first season on Feb.To understand how we got here, look at Netflix. That July it followed with the entire first season of “Orange is the New Black.”
Apple released three episodes at the same time for dramas “The Morning Show” and “See” - and is doing so for most other Apple series - followed by one episode per week. “Binge-watch” was a runner-up to “selfie” for the Oxford Dictionary’s 2013 word of the year.Netflix championed this new kind of consumption, commissioning a survey to determine how many people binge-watch, and why.Media companies are hoping a longer release schedule will generate buzz and create more of a shared experience among viewers..While some say the decade technically ends a year from now, the end of this year will be marked by many as the conclusion of the second decade of the 21st century.”
Viewers were hooked, and the cultural shift accelerated.Around the same time that the broadcast TV schedule was losing its hold on viewers, Netflix was beginning to invest in original content.Fast forward to 2019, when media and tech companies are subverting that schedule and the majority of viewers using US TV streaming services watch an average of four hours of content in one sitting, according to Deloitte.ATT’s forthcoming HBO Max streaming service will debut one new episode of its original series per week.In the not-so-distant past, TV viewers were forced to wait a week for the next instalment of their favourited shows, parcelled out by networks in half-hour or hour-long increments.
Posté le 13/11/2020 à 02:35 par ctolibhlmorya
Catégorie China boundary wire factory
0 commentaire : Ajouter